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    • Mollucan Crest

    • Paper, oil paint, wax, and cement.

    • Antony, 2011
    • Photo 1
    • Scenes from the 34th City (B)

    • Etching with aquatint, photo-lithography, and screen printing.

    • Michael Byron, 1996
    • Photo 2
    • Scenes from the 34th City (B)

    • Etching with aquatint, photo-lithography, and screen printing.

    • Michael Byron, 1996
    • Photo 3
    • Self-Portrait as Mary Magdalene

    • Pencil on paper.

    • Francesco Clemente, 2011
    • Photo 4
    • Trace 4: after Threshold, SouthWest - Two [spectrum:green]

    • Ink on UV paper

    • Julia Fish, 2010
    • Photo 5
    • Trace 2: after Threshold, SouthWest - Two [spectrum:blue]

    • Ink on UV paper.

    • Julia Fish, 2010
    • Photo 6
    • Trace 2: after Threshold, SouthWest - Two [spectrum:green]

    • Ink on UV paper.

    • Julia Fish, 2010
    • Photo 7
    • Dazzled Ship

    • Unique screenprint collage on mulberry paper..61 1/2 x 103 1/4 inches

    • Carl Fudge, 2009
    • Photo 8
    • Platelayers' Shed

    • Silkscreen linen pulp on cotton base sheet with embossing.

    • Carl Fudge, 2010
    • Photo 9
    • Josh

    • Acrylic, ink, colored pencil, and mixed media on mulberry paper on panel.

    • Chie Fueki Goedde, 2011
    • Photo 10
    • 14 folding chairs around

    • Pencil and watercolor on an-jing paper.

    • Beka Goedde, 2011
    • Photo 11
    • 8 chairs, 3 erasures, and 2 fractions

    • Pencil and watercolor on an-jing paper.

    • Beka Goedde, 2011
    • Photo 12
    • 2 feet off the page

    • Pencil and watercolor on an-jing paper.

    • Beka Goedde, 2011
    • Photo 13
    • Who Killed Cock Robin 1

    • Watercolor and graphite on paper.

    • Valerie Hammond, 2011
    • Photo 14
    • Who Killed Cock Robin 2

    • Watercolor and graphite on paper.

    • Valerie Hammond, 2011
    • Photo 15
    • Who Killed Cock Robin 3

    • Watercolor and graphite on paper.

    • Valerie Hammond, 2011
    • Photo 16
    • Untitled

    • Porcelain, plaster, pigment, paper, ink, crushed glass, and herkimer diamond.

    • Hilary Harnischfeger, 2011
    • Photo 17
    • Untitled

    • Porcelain, plaster, pigment, paper, ink, crushed glass, and herkimer diamond.

    • Hilary Harnischfeger, 2011
    • Photo 18
    • Untitled (Charleston 1)

    • Watercolor and gouache on paper.

    • Stephen Mueller, 2011
    • Photo 19
    • Untitled, (NYC)

    • Watercolor and gouache on paper.

    • Stephen Mueller, 2010
    • Photo 20
    • Untitled, (NYC)

    • Watercolor and gouache on paper.

    • Stephen Mueller, 2011
    • Photo 21
    • Guardian

    • Watercolor and acrylic on paper.

    • Rachel Ostrow, 2011
    • Photo 22
    • At Last

    • Acrylic on paper.

    • Rachel Ostrow, 2011
    • Photo 23
    • Tread Softly

    • Watercolor and acrylic on paper.

    • Rachel Ostrow, 2011
    • Photo 24
    • Underworld

    • Ink, crayon, watercolor, and pencil on paper.

    • Kiki Smith, 2011
    • Photo 25
    • As Kingfishers Catch Fire, Dragonflies Draw Flame

    • Ink, crayon, watercolor, and pencil on paper.

    • Zachary Wollard, 2010
    • Photo 26

Papertails

WORDS - BOBBY MOZUMDER, PHOTOS COURTESY 80WSE GALLERY

Among artists, paper as a medium of expression often finds itself second to the more popular mediums of sculpture and painting, even though its primary role is to capture an artist's initial ideas. Meanwhile, paper's responsiveness and intuitive form have enabled countless artists throughout the centuries. To reflect on paper's role in the arts, NYU's 80WSE Galleries presents Papertails, an exhibit curated by Kiki Smith and Valerie Hammond.

Smith & Hammond, who co-teach Advanced Printmaking at NYU and well known for their own works, bring in 14 widely known artists while maintaining a common thread of paper usage among the various works.  The different forms, from drawings, painting, collage, scultpure, and photography, all show a reverence towards paper through a personal connection that the individual artists have to their works on paper.  From Beka Goedde's subtle "group-session" drawings on fragile and translucent an-jing paper to Kathleen Graves hard-edged Photoshop wizardry on high-end archival inkjet paper, paper's versatility and responsiveness will forever ensure its role as an artist's first medium of expression. 

Papertails opens September 12 and runs through November 5, 2011.

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9-12-2011