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    • untitled (to the real Dan Hill) 1a, 1978


      Photo by Billy Jim
    • pink, yellow, green, and blue fluorescent light
      8 ft. (244 cm) high, leaning

    • the diagonal of May 25, 1963, 1964


      Photo by Graham S. Haber
    • Colored pencil on black paper
      9 5/8 x 12 3/4 inches (24.4 x 32.4 cm)

    • Left to Right: one (to William of Ockham), 1963, one (to William of Ockham), 1963,
      the diagonal of personal ecstasy, 1963, the gold diagonal (completed), 1963


      Photo by Graham S. Haber
    • Left to Right: Graphite pencil 4 15/16 x 3 inches (12.5 x 7.6 cm),
      Graphite pencil 4 15/16 x 3 inches (12.5 x 7.6 cm),
      Graphite pencil 3 x 4 15/16 inches (7.6 x 12.5 cm),
      Crayon 3 x 4 15/16 inches (7.6 x 12.5 cm)

    • eight "monuments" for V. Tatlin, 1968


      Photo by Graham S. Haber
    • Ballpoint pen
      8 1/2 x 11 inches (21.6 x 27.9 cm)

    • proposals for (in memory of "Sandy" Calder), 1977


      Photo by Graham S. Haber
    • Graphite pencil and colored pencil on graph paper
      17 x 21 7/8 inches (43.2 x 55.6 cm)

    • (to Barnett Newman to commemorate his simple problem, red, yellow and blue) 1970, 1971


      Photo by Graham S. Haber
    • Pen and ink and colored pencil on graph paper
      17 1/4 x 22 1/4 inches (43.8 x 56.5 cm)

    • in honor of Harold Joachim in pink, yellow, blue and green fluorescent light 8' high and wide, 1984


      Photo by Graham S. Haber
    • Pen and ink and colored pencil on graph paper
      17 x 21 7/8 inches (43.2 x 55.6 cm)
      Drawing done by Helene Geary

    • final study for Coran's Broadway Flesh (large version), 1962


      Photo by Graham S. Haber
    • Graphite pencil and pastel on tan paper
      11 x 13 7/8 inches (27.9 x 35.2 cm)

    • some colored options for a Whitney Annual Exhibition, 1970


      Photo by Graham S. Haber
    • Ballpoint pen
      8 1/2 x 11 inches (21.6 x 27.9 cm)

    • (in memory of my father D. Nicholas Flavin, 1891-1974) 1974
      in daylight fluorescent light, each circular unit 1' in diameter, 1974


      Photo by Graham S. Haber
    • Graphite pencil on graph paper
      17 x 21 7/8 inches (43.2 x 55.6 cm)

    • a carefully rendered and detailed sketch toward a lithograph
      of the proposed fountain in memory of Pablo Picasso, 1974


      Photo by Graham S. Haber
    • Ballpoint pen on loose-leaf notebook page
      3 x 5 inches (7.6 x 12.7 cm)

    • an old railroad trestle across the Delaware-
      Raritan Canal near Princeton, New Jersey, 1960


      Photo by Graham S. Haber
    • Graphite pencil
      10 5/8 x 8 3/16 inches (27 x 20.8 cm)

    • Paul Cézanne, 1959


      Photo by Graham S. Haber
    • Charcoal
      8 7/8 x 12 inches (22.6 x 30.5 cm)

    • Left: Claes Oldenburg, an American artist, 1974
      Right: Don Judd, an American artist, 1974


      Photo by Graham S. Haber
    • Ballpoint pen on loose-leaf notebook sheet
      5 x 3 inches (12.7 x 7.6 cm)

    • blue trees in wind, 1957


      Photo by Graham S. Haber
    • Grease pencil on ledger paper
      7 7/8 x 10 1/2 inches (20 x 26.7 cm)

    • sails, 1985


      Photo by Graham S. Haber
    • Charcoal
      11 x 14 inches (27.9 x 35.6 cm)

    • sails, 1986


      Photo by Graham S. Haber
    • Pastel
      11 x 14 inches (35.6 x 28 cm)

    • inventory of work, 1962


      Photo by Graham S. Haber
    • Graphite pencil
      11 x 9 1/8 inches (27.9 x 23.2 cm)

1-31-2012

Dan Flavin: Drawings

WORDS - BOBBY MOZUMDER, PHOTOS COURTESY MORGAN LIBRARY & MUSEUM

Dan Flavin's masterful use of flourescent lighting to set atmosphere is acknowledged by anyone lucky enough to experience his moody works in person.  The lighting and their mesmerizing colors bring out all sorts of reactions covering the entire gamut of the emotional spectrum.  This intense response wasn't devised instantly from Flavin, but instead was crafted through careful design and refinement throughout his career, with much of the design planning done directly on paper.

A new exhibition at New York's Morgan Library & Museum focuses on Flavin's various drawings.  This includes the planning sketches of his famous flourescent light installations, much of which was drawn quickly on notebooks carried with him.  He eventually created finished drawings to document his installations, often delegating the drawing process to his assistants to keep the final record of the pieces.  The retrospective also covers the rest of his oeuvre outside of his lighting works, including portraits of his friends, personal icons, and other contemporaries, as well as landscape and sailing sketches. In addition to the drawings, a couple of his insanely beautiful flourescent light installations will also be on view.

 

Dan Flavin: Drawings will be on view February 17, 2012 - July 1, 2012 at the Morgan Library & Museum in New York.

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